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Bad Bunny is breaking boundaries

Bad Bunny releases his sixth solo studio album, "DeBÍ TiRAR MáS FOToS" on Jan. 5, 2025. Photo credit: Rimas Entertainment
Bad Bunny releases his sixth solo studio album, “DeBÍ TiRAR MáS FOToS” on Jan. 5, 2025. Photo credit: Rimas Entertainment

Bad Bunny has solidified himself as one of the most influential figures in contemporary Latin music, and he has once again reshaped the boundaries of genre and expectation with his latest album, “DeBi TiRaR MaS FOToS.”

This album is different from what we have heard from Bad Bunny in the past. It’s an ode to the great music that has shaped the sound in Puerto Rico.

If you enjoy music production that is heavy on samples, this album will not disappoint one bit.

The opening track, “NUEVAYoL,” samples Un Verano En Nueva York by the musical orchestra El Gran Combo de Puerto Rico.

The first track alone sets this tone of nostalgia for listeners with the sounds of salsa and reggaeton.

Followed by “VOY A LLeVARTE PA PR,” continued the homage as he sampled “La Barria” by Wisin y Yandel, which featured Héctor El Father, “Me Quiere Besar” by Alexis y Fido and “Cazando Voy” by Ángel y Khriz.

The fact that he was able to find a way to mash up all those samples in one track in a way that is not overly obvious is not something that is easily done.

The album also includes several outros’ that pay tribute to reggaeton legend Wisin.

Favorited by listeners is the song “EoO,” where the chorus of the classic reggaeton song “Perreo Baby” by Héctor & Tito made an appearance and added an extra layer of nostalgia.

This album marks a new chapter in Bad Bunny’s already illustrious career, which follows his massive success with “Un Verano Sin Ti” and “Nadie Sabe Lo Que Va A Pasar Mañana.”

This project feels like a departure from his previous work, with a noticeable shift toward more introspective themes and a far more eclectic musical landscape.

Bad Bunny doubles down on his dominance in reggaeton and trap, “DeBi TiRaR MaS FOToS” revealed a layered sound, that made Bad Bunny incomparable.

His music now obviously stretches far beyond the constraints of genre.

Throughout the album, Bad Bunny’s vocals float between rapped verses and some fantastic melodic hooks and pushed the boundary of what one could expect from a mainstream artist.

His ability to transform any genre or style into something uniquely his own truly sets him apart in an era of increasingly interchangeable pop music, even in the Latin market.

One of the most intriguing aspects of the album is that it doesn’t have a lot of features, but the tracks that featured collaborators are standout moments and showcased a unique blend of styles.

The album featured seamless partnerships, with the track “WELTiTA” featured a special collaboration on the album with the Puerto Rican band Chuwi, which is known for blending different genres while still embracing a tropical sound.

Their vocalist, Lauren, had an amazing vocal range showcased on the track.

These collaborations highlight Bad Bunny’s ability to step outside his comfort zone while he also showcased his versatility.

This album might not be for everyone, but It is emotional, somewhat political, and feels nostalgic all at the same time.

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About the Contributor
Karina Soriano
Karina Soriano, Staff Writer
Karina Soriano is a staff writer at Talon Marks. She is a passionate music enthusiast and host of Nue Life Radio, a radio show and podcast focused on all aspects of the music industry. Inspired by her childhood love for music magazines, she has always had a love for music journalism. Her love for music led her to work with music labels in Los Angeles, Karina enjoys a diverse range of music genres and she loves attending concerts to experience live music.
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